[Pg 142]


时间:2020-02-25 07:59:28 作者:杨幂 浏览量:47117

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"Another?" the Aga Kaga said, offering the bottle. Georges glowered as his glass was filled. The Aga Kaga held the glass up to the light.

“It was very painful for me, Ervine,” said I, “but I really did stick it out to the finish. Why do you young fellows write so depressingly? You look happy enough, Ervine——”


Now me girl says he—you attind to your own ating. Never mind me.

Socialism comes into the middle-class family offering education, offering assurances for the future, and only very distantly intimating the price to be paid in weakened individual control. But far profounder disintegrations are at work. The internal character of the middle-class family is altering fundamentally with the general growth of intelligence, with the higher education of women, with the comings and goings for this purpose and that, the bicycles and games, the enlarged social appetites and opportunities of a new time. The more or less conscious Strike against Parentage is having far-reaching effects. The

Once he came to, like a man who has been asleep, to realize that he was wondering whether the lights were still blinking behind the screens while he was making his move. Did the Machine really analyze at such times or were the lights just an empty trick? He forced his mind back to the problems of the game, decided on his move, checked the board twice for any violent move he might have missed, noted on his clock that he'd taken five minutes, checked the board again very rapidly and then put out his hand and made his move—with the fiercely suspicious air of a boss compelled to send an extremely unreliable underling on an all-important errand.

“Forgive me; I have been studying,——dreaming; I did not mean to say thou wert unwelcome.”

He was now in the apartment in which he had always been received when he paid his morning visit, and farther than this he had never penetrated. Obviously, however, there were other rooms beyond. He remembered that he had seen Eleanor go through that way sometimes when he had been engaged with the old man, and as he stood hesitating he thought he heard very remotely the clicking of a typewriter. He went over to the farther door and knocked, and was answered faintly from within. He discovered then that there were double doors, four feet apart, between him and the

"Oh, George, are you going to be jealous?" she cried in genuine consternation.

The descriptions were at first extremely inartistic and unmethodical; but the effort to make them as exact and clear as was possible led from time to time to perceptions of truth, that came unsought and lay far removed from the object originally in view. It was remarked that many of the plants which Dioscorides had described in his Materia Medica do not grow wild in Germany, France, Spain, and England, and that conversely very many plants grow in these countries, which were evidently unknown to the ancient writers; it became apparent at the same time that many plants have points of resemblance to one another, which have nothing to do with their medicinal powers or with their importance to agriculture and the arts. In the effort to promote the knowledge of plants for practical purposes by careful description of individual forms, the impression forced itself on the mind of the observer, that there are various natural groups of plants which have a distinct resemblance to one another in form and in other characteristics. It was seen that there were other natural alliances in the vegetable world, beside the three great divisions of trees, shrubs, and herbs adopted by Aristotle and Theophrastus. The first perception of natural groups is to be found in Bock, and later herbals show that the natural connection between such plants as occur together in the groups of Fungi, Mosses, Ferns, Coniferae, Umbelliferae, Compositae, Labiatae, Papilionaceae was distinctly felt, though it was by no means clearly understood how this connection was actually expressed; the fact of natural affinity presented itself unsought as an incidental and indefinite impression, to which no great value was at first attached. The recognition of these groups required no antecedent philosophic reflection or conscious attempt to classify the objects in the vegetable world; they present themselves to the unprejudiced eye as naturally as do the groups of mammals, birds, reptiles,

Hartford jumped to attention and formally requested permission to withdraw. Nef nodded. Hartford about-faced and left the room.

But they were not. When the pair emerged from the grove they found the road empty and silent, not a sign of a trap or anything living, except a great owl that swooped over the road and across the unfertile plain beyond with an unearthly hoot, as though mocking their plight.

1.71“Well,” averred the dog catcher, mildly pleased with the compliment, “it ain’t for me to say as to that. But there don’t many folks find me a-nappin’, I’m sittin’ here to tell all an’ sundry. Now, ’bout that dog—”

2.The Chef d'Regime chewed his cigar.


[pg 205]


He pressed the unsealing tabs, slipped his hand into the vacant chest of the suit and pulled out the hand mike. "This is Herrell McCray," he said, "calling the Jodrell Bank."


In the middle of the ninth century the influence of the artists of Germany reacted on the productions of England, and in consequence of the more frequent communications of learned men with Rome, classical models began to be adopted, floral decorations were introduced, and figures in the Byzantine style. With these the Irish ornamentation was combined, principally in the framework of the design. Then it gradually disappeared from England, where it was replaced by Franco-Saxon and Teutonic art; so that after the tenth century Mr. Westwood has not found any Anglo-Saxon manuscript executed in the Lindisfarne or Irish style. But it remained for several centuries longer in use in Ireland, though the ornamental details exhibit little of the extreme delicacy of the earlier productions. With reference to these, Mr. Digby Wyatt observes that, in delicacy of handling and minute but faultless execution, the whole range of palæography offers nothing comparable to the early Irish manuscripts, especially “The Book of Kells,” the most marvellous of them all. One cannot wonder, therefore, that Giraldus Cambrensis, when over in Ireland in the reign of Henry II., on being shown an illuminated Irish manuscript, exclaimed, “This is more like the work of angels than of men!”


“There is a taxi waiting just round the corner. Give me the revolver. We shall not need it now.”


Whether the shell had been fired directly at the small boat that was being propelled toward the shore, or simply fell short when sent after the destroyer, they could not say, but nevertheless it was a close shave.

. . .